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See Mark's painting, Grassy Island Rocks, that won First Place Painting at the Minnesota State Fair!
Frequently Asked Questions
1. What is your Policy on Returns/Exchanges/Refunds?
If you don't love it or it arrives damaged, return it. Read on for details regarding our 100% satisfaction guarantee, and for instructions on how to make a return.
Returns of Original Art: If you are not happy with your original art piece, you may return it for a full credit of the cost (excluding shipping charges) by following these simple steps:
1. email firstname.lastname@example.org to inform me that you will be returning a piece of art
2. Ship your item back to me in its original packaging within two weeks of receiving it. I strongly encourage you to
return the item via a trackable method. Returns Address:
Mark Granlund - Returns
1014 Burgess Street
Saint Paul, MN 55103
3. Once I have received the art I will reimburse you for the full amount paid for the painting within 7 days.
2. What materials do you use and what is the quality of the work?
Many of the still-lifes of food are painted on cradled wood panels. The landscapes and all other paintings are painted on stretched 10 duck canvas. I make my own stretchers and wood panels in a wood shop attached to my studio. The wood substrate is made of pine or poplar and is cross-grained to prevent warping. The canvas and panels each receive three layers of ground before being painted. After completion, each panel receives a protective varnish. The canvases, generally, have the images wrapped around the sides. I make my own canvases and panels to assure that, if framed and displayed properly, my paintings will last for generations.
3. You mention your works will last for a long time if properly framed, matted and displayed - what is the best way to do this?
For both original paintings and prints, display the work out of direct sunlight. Direct sunlight is the number one issue with the durability of art work, especially for prints on paper.
For paintings, avoid extremely humid conditions and clean once a year. If there is dust on the painting, simply remove dust with a duster or compressed air. Every few years, a mild cleaner, like glass cleaner, can be sprayed on a lint-free cloth (do not spray directly on the painting) and used to wipe down the surface of the painting. If you go many years (15 years or more) without cleaning the painting, please take it to a frame shop or art conservator to have it cleaned.
Many of my paintings wrap the image around the edges of the canvas and do not need a frame to hide the sides. Frames are always welcome, as they can help protect and compliment the work.
Of course, proper handling of the art is important. Do not drop it and use the appropriate hanging hardware so it does not fall off the wall.
4. Do you give to any proceeds from sales to organizations?
I do give some of the proceeds from sales to organizations that support the environment. Proceeds from the sale of landscape originals and prints go to the Ernest C. Oberholtzer Foundation. Ober, as he was called, is the person most responsible for the establishment of Voyageur National Park and the protection of the natural areas along the Minnesota and Canada border.
5. How can I keep up with your new work and art activities?
Sign up for my monthly(ish) newsletter. In my newsletter I share new art, what is going on in my studio and my thoughts about art and culture. Also, you can follow me on Facebook and Instagram. The best way to sign up for the newsletter is to pay attention to the newsletter window that pops-up when you visit my website. Once you sign up the window will not pop-up when you visit my website.
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The Art Storefronts Organization has verified that this business has provided a returns & exchanges policy for all art purchases.
If you don't love it or it arrives damaged, return it. Click above on the FAQ link for details regarding our 100% satisfaction guarantee, and for instructions on how to make a return.
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The Art Storefronts Organization has verified that this Art Seller has published information about the archival materials used to create their products in an effort to provide transparency to buyers.
For Paintings: Many of the still lifes of food are painted on cradled wood panels. The landscapes and all other paintings are painted on stretcheded 10 duck canvas. I make my own stretchers and wood panels in a wood shop attached to my studio. The wood substrate is made of pine or poplar and is cross-grained to prevent warping. The canvas and panels each receive three layers of gesso before being painted. After completion, each painting receives a protective varnish. The canvases, generally, have the images wrapped around the sides. I make my own canvases and panels to assure that, if framed and displayed properly, my paintings will last for generations. For prints: All prints are on archival 100% cotton fine-art paper. The paper has a smooth natural texture, is a sturdy 15 mil. thick and uses no optical brightners. Printed with archival water-resistent inks that will not fade for a hundred years, when properly matted and framed.
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